Describe it. Get a mesh.
Text to 3D
A sentence becomes a reference image, and the image becomes geometry. The fastest way from an idea to something you can rotate.
What it does
A prompt, not a pipeline
Type what you want. The reference image is written and reconstructed for you in one job.
Iteration at speed
Forty variations of an idea when only one has to survive. This is what generation is genuinely best at.
Style on request
Realistic, stylised or low-poly from the same description, with low-poly generated directly on Zetta N1 rather than reduced afterwards.
A real file at the end
GLB you download and open, not a turntable video or a preview.
How it works
- Write the objectName it plainly, say what it is made of, and ask for a plain background. Skip lighting and mood — they change the picture, not the object.
- A reference image is writtenThis is the step that explains everything text-to-3D is good and bad at: the mesh is reconstructed from a picture, so anything the picture did not show is inferred.
- The mesh is reconstructedTextured by default, with PBR materials available.
- Refine itRetopologise to your polygon budget, unwrap, and texture — all in the same studio.
What people use it for
- Concepting, when nothing has been drawn yet
- Set dressing and background props at volume
- Prototype stand-ins that are recognisable at gameplay distance
- Exploring a shape language before committing an artist to it
What it cannot do
- Lettering comes back as letter-shaped marks — generate the object plain and add text as a decal
- One object per prompt. Two things produce one mesh containing two things, fused where they touched
- The back is inferred. Use multi-view when the far side matters
- No exact dimensions, ever
- Interiors and enclosed volumes are guesswork
The details
- Input
- A written description
- Models
- Zetta N1 and Zetta N2
- Bases
- Textured, low-poly or geometry-only on N1
- Output
- GLB, with OBJ and FBX available